Comments guitarist Jack Owen, "This song started when my wife and I were in an antique store and she found an amber quartz pendant that had lines through the whole thing. I asked her what it was and she said it's a Rutilated Quartz. Well, that's all I needed for a title and some lyrical ideas.”

Ultimately, "Death of Me" unfolds as a confession confronting vulnerability and embracing softer truths. "It is about finally facing the softer, weaker parts of yourself you were trying to hide, and admitting that all you really wanted was to stay close to the person who never left your heart.”

This dark and heavy track is inspired by a deeply personal experience. After vocalist Chris Mercuri’s mum had a near-death experience, she described being pulled into a black, void-like space as her heart stopped — peaceful yet terrifying, as though she wasn’t meant to be there.

SYLOSIS Commented: "All Glory, No Valour is a collective favourite from The New Flesh. Since the early demos, the song always stood out as one of the most aggressive that the band has ever put together. Instead of a standard video, we agreed that releasing a live version of it at some point would be best so listeners could really connect with the energy of the track.”

Today they've unleashed their second set of singles "Object of Pain" and "Death From Above" alongside two new videos to complete their …Beginning of the End video trilogy of which they collaborated on with director Craig Murray.

Having already shared the unwavering title track “STILL SUFFER,” today TERROR unleash the furious single "DESTRUCTION OF MY SOUL.” The band’s hard-hitting riffs meet Scott Vogel’s rage fueled lyrics to deliver an unrelenting anthem.

“I’ve been estranged from my father for a long time,” Spencer explains. “But this movie, and this song, while bringing a lot of complicated feelings to the surface, also brought us back together.”

"Glare" stands as one of their most visceral releases to date. The track explores the long-lasting psychological impact of abuse, tracing the lingering trauma and paranoia that can persist even after distancing. "I've witnessed it in the lives of those closest to me, and I've experienced it myself," says vocalist Xavier Morris. "An all consuming fear that can be instilled by the most heinous of acts, down to a simple glare."

"They've Always Lived In The Castle confronts a world where power has always protected itself," says the band. "Where the wealthy remain untouched, and those at the top tighten their grip while the rest are left behind. The song channels a moment when people decide they’ve had enough and rise to reclaim their lives."

The Hu return with a powerful double release, unveiling ‘The Men’ and ‘Warrior Chant’ via Better Noise Music. Blending traditional Mongolian instrumentation with crushing riffs and hypnotic chants, both tracks reinforce the band’s signature Hunnu Rock sound. Rooted in heritage and strength, these anthems channel inner spirit, cultural pride, and the evolving force of The Hu.

Of the video, Taylor said, “l wanted the video to reflect where the song came from - a time in my life when I was out of control, not caring whether I lived or died. We shot it raw, with no grade, no filter. Reality doesn’t come color-corrected, and I didn’t want to change what we captured. The imperfection is the grade.”

Making another major move and breaking down walls once again, the Swedish masters of heavy metal Sabaton have joined forces with leading historically accurate naval multiplayer game, World of Warships, and released a brand new single and music video entitled “Yamato”

Bleed is a raw, unflinching exploration of toxic competition and the dark side of human nature. Delving into the psychological warfare that unfolds when someone becomes so consumed by envy that they'll sabotage themselves just to see you fail.

Chris Harms on “My Funeral”: “The message of the song – that black is our ‘happy colour’ and that I want my funeral guests to adhere to the ‘dress code: pink’ – is actually no joke. It's a shame that when I eventually kick the bucket, I'll only be able to attend this pink funeral service lifelessly.”

Johan Ericson about the new single :

“In need of a more up-tempo song, “Cold Heavens” was the final piece written for In Somnolent Ruin. The intention was to create a simple, straightforward track to balance the album’s longer compositions and add versatility. Lisa’s laid-back vocals take center stage, guiding us through a bleak, cold landscape before giving way to Anders’ more spiteful and desperate delivery. The song ends with a sense of resignation, leading into the album’s next track.”